It’s been ages since I’ve blogged.
Sure, I have legitimate reasons why. But the real truth is I just didn’t want to.
We share our thoughts on Twitter, Facebook and God knows where else. Cyberspace has provided a forum where no thought, opinion or statement goes unheard. For me, there are moments where we need to, as my mother would say, go sit down and read a book.
But if there’s one thing that can bring me out of my blog silence, it’s Jill Scott.

Three summers ago, I saw my friend Jill at Wingate Park in Brooklyn. She wooed us, she caught us, she loved us down. Miss Jill was in love and it showed. At Jones Beach Amphitheater, the lovin’ wasn’t as tender. It was stronger, more fierce.
See, Jilly is still in love. But she’s in love with Jilly. And I love it. That’s a lot of love. I know.
I’ll be back to that in a sec.
In all honesty, I didn’t enjoy this concert as much as her last. The fact that Jill was sharing the stage was cool because I adore Mint Condition and Anthony Hamilton. But it felt rushed.
Mint Condition opened, but we missed them because well, the concert began on time. "You Send Me Swingin’" was on as we made our way from the parking lot. "Breakin' My Heart," as we stood on line for $13 burger and fries combos. The cashier told us the acts were running late.
Finally seated, Dougie Fresh and Jazzy Jeff kept the sparse crowd going. Yes, sparse. I blame the economy, high ticket prices, greedy ticket brokers, and small marketing budgets for grown acts.
Now as I said, Dougie and Jazzy Jeff kept the crowd going in true block party fashion. Dougie, clearly drinking from the fountain of youth, was still Dougie'ing and the legendary Jazzy Jeff, made fantastic selections; every song, a feel good throwback. But the transition between records threw me off. I love a great DJ. In fact, I am a DJ snob. I appreciate the ones that blend songs seamlessly so I never miss my groove. With the legendary, well, you can call me Stella. Groove missing like a mutha.
But Anthony Hamilton? Fire. He pulled the crowd in with "I’m a Mess," "Comin’ From Where I’m From," "The Point of it All," "Cool," "Sister Big Bone," a tambourine moment that took us to chuch, "Charlene," and "A Heart is a House for Love." Yes, you heard right. From The Five Heartbeats. And then he was done. Too soon, I might add.
Dougie Fresh took to the stage with Jazzy Jeff again. Stella.
And finally, Miss Jilly arrived in an electric blue sequined mini dress. Bright, powerful, and ready.
Groove returneth.
Miss Scott opened with "Blessed," a cool Philly vibe giving thanks for her blessings. And then, Jilly took some chances mixing genres which I normally like. However, if I were home, I’d have skipped the next two. The problem with concerts? Can't do that.
*checks/updates facebook and twitter*
Wait. Whoa.
This is where it got really good.
If you have the album, there is a track called "Le Boom Vent Suite." At about the 3:40 mark she slows it down.
Grown woman, making decisions and choices. Utilizing everything inside of me. My soul, my heart, my mind, my voice. So maybe in the middle of the night, when the dream just aint going right, I could use a tug, a hug, a kiss, something strong, something fit for a queen, something passionate. Something with esteem, a king that’ll knock a sister down, like booom.
I felt her.
The songs on her album The Light of the Sun have a soulful 70’s sound. Auto-tune never, funky and gritty as ever: the stuff my Daddy raised us on. Take that and add the smooth essence of a grown woman looking for the next love, recovering from the last; Learning to trust herself and rely on the whisper, the discernment; Knowing that we are not the sum of our parts, but of our whole; Understanding that the power is in our ‘rolling hills.’
Lightbulb moment for some, recognition and acknowledgement for others.
And then, of course she blessed us with "A Long Walk", "Come See Me", "Across My Mind", and the sexy time special: "Crown Royal." She did a cute call and response using the timeless A Tribe Called Quest model “You on point Jill? All time band.” which flowed into "Golden."
She closed out the show, and came back in a staged encore performance to sing "He Loves Me" and "Hear My Call," a plea for Him to help her understand why although she did all the right things, her relationship didn’t work. Who hasn’t been there at least once?
Last Thursday night, we experienced the hurt of lost love, the uncertainty and thrill of new love, and the pleasure of self-love. Mind out of the gutter folks.
It was a beautiful thing. It was classic Jill Scott. It was all love.